Is it possible to implemente that on the rack's INs & OUTs Rack's ?
Statistics: Posted by Curriculum — 26 Jun 2026, 11:49
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the name will allows to sort the files by names ! For example, I did use this kind of system with an hundred of kids this year, each one could record and retrieved is own sounds with the help of a RFDI card !
enjoy !
Olivar
Statistics: Posted by oli_lab — 25 Jun 2026, 14:11
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Statistics: Posted by Gilsornette — 25 Jun 2026, 09:16
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if you need more, just put 2 delays in series and you get 2 minutes.
you can use the digital delay from Oli_Lab (modulilab) that goes up to 4,55 minutes
but if the idea is to replay something 10 minutes later, a recorder is the way to go. You can record and save on the disk and read it later, it is safer in a live environement that a 10 minutes delay that will clear if you stop the audio engine.
cheers
Olivar
Statistics: Posted by oli_lab — 24 Jun 2026, 14:46
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Years ago I did something like that with Samplitude it used to have two different record-head and play-head.
I could start my set pressing rec, and 5 minute later I would press play ...
Maybe on that idea you can record and play later on
With 2 recorders.
max length set to whatever and when the time is over stop rec on recorder A, start play on recorder A & start rec on recorder B ...
Statistics: Posted by grego mondo — 24 Jun 2026, 14:20
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Is it possible to have delay longer than 5 minutes in Usine?
The modules seem to provide a max at 60000ms.
Thank you
Statistics: Posted by Gilsornette — 24 Jun 2026, 12:42
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Hi everyone,
We're thrilled to announce that Usine Hollyhock 7 (HH7) is now officially available as a public BETA, and we want to say it loud and clear:
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HH7 is the biggest leap forward in the history of Usine. Here are some of the highlights:
see https://www.brainmodular.com/manuals/hh ... new-in-hh7
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Statistics: Posted by senso — 22 Jun 2026, 11:35
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Statistics: Posted by oli_lab — 21 Jun 2026, 00:10
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Merci pour ta réponse ! Ce que je pensais comprendre de ces différents modes c'est que ce sont des conséquences de lignes de retards. (retarder un signal et le mélanger à lui même, en dessous d'une certaine valeur de temps créerai du filtrage.
Le filtre en peigne par ex, pour moi c'est le résultat du type de retard effectué, pas un mode d’élaboration du retard.
Tu pourrais m'expliquer plus avant "la manière dont est câblé la ligne de retard " stp?
Merci
C
Statistics: Posted by Curriculum — 20 Jun 2026, 17:32
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sur des durées de delay > 100ms, on ne va pas vraiment entendre de difference, mais pour des delais très courts, le delai et son cablage va agir de manière différente :
comb filter : filtre en peigne, certaines frequences vont être renforcées.
feedback comb filter : va opérer à l'inverse du précédent, les frequences atténuées avec le filtre précédent seront renforcées.
all pass filter : laisse passer toutes les fréquences, mais modifie la phase des composantes du signal (par exemple les graves resteront en phase et les aigues auton leur phase inversée, ce n'est pas audible en l'état par le cerveau humain, mais si on ajoute le signal original à ce qui sort du filtre, on obtiendra un effet de phaser ou flanger
++
Olivar
https://fr.wikipedia.org/wiki/Filtre_en_peigne
https://www.dsprelated.com/freebooks/pa ... lters.html
Statistics: Posted by oli_lab — 20 Jun 2026, 10:47
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Would it be possible to change the order of the output devices in the Devices window, particularly for audio? Because even if you’ve changed them, the one used by default when creating a new rack is the one at the very top of the list. This means you have to change it afterwards, which wastes time. Or to choose in a preference setting the default out device?
Thank you
C
Statistics: Posted by Curriculum — 20 Jun 2026, 09:17
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Quelqu'un pourrait il m expliquer le fonctionnement de ces différentes options du module delay svp?
normal delay
comb filter
feedback comb filter
all pass filter
Je ai pas trouvé de précisions dans le manuel
Merci d avance
C
Statistics: Posted by Curriculum — 20 Jun 2026, 07:57
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Hi
I obviously thought about Matrix but then you can't use lfo moving style
("I'm also interested in using dynamic movement features such as LFO modulation and trajectory movement, similar to what SURR PAN SIMPLE, SURR PAN TRAJECTORY, and SMOOTH SURROUND TO PANNER offer.")
a good thing to do is doing both : the matrix fo the texture and a surround panner for precise movement, LFO and what not.I obviously thought about Matrix but then you can't use lfo moving style
("I'm also interested in using dynamic movement features such as LFO modulation and trajectory movement, similar to what SURR PAN SIMPLE, SURR PAN TRAJECTORY, and SMOOTH SURROUND TO PANNER offer.")
althought, with the matrix solution, you can still make presets and switch from one to another one to simulate movements.
Statistics: Posted by oli_lab — 09 Jun 2026, 13:43
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("I'm also interested in using dynamic movement features such as LFO modulation and trajectory movement, similar to what SURR PAN SIMPLE, SURR PAN TRAJECTORY, and SMOOTH SURROUND TO PANNER offer.")
Statistics: Posted by grego mondo — 09 Jun 2026, 12:25
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with it you can specify how each audio signal is spread on witch output. It is very interesting if you work with acousmoium-like speaker configuration as you can send one audio signal on many different speakers.
On dome like configuration, it allow for more bluriness and subtle movements within the sound !
Statistics: Posted by oli_lab — 09 Jun 2026, 12:11
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You can link all the parameters of the 8 panners so that : numbers of speakers / area / array speakers X and Y pos so they respond as "slaves" to a master panner (even with no sound in).
Hope it helps
Statistics: Posted by grego mondo — 07 Jun 2026, 17:12
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I need 8 independent inputs, each with its own panner. The idea is that each input can be routed to any of the 8 outputs independently — for example, input 1 to output 7, input 2 to output 3, and so on.
I'm also interested in using dynamic movement features such as LFO modulation and trajectory movement, similar to what SURR PAN SIMPLE, SURR PAN TRAJECTORY, and SMOOTH SURROUND TO PANNER offer.
The issue is that the existing ready-made devices only support up to 2 or 4 inputs. When I tried to adapt them to work with 8 inputs, the results were not satisfactory — the routing and panning behaviour did not scale correctly.
Statistics: Posted by NikosT — 07 Jun 2026, 14:27
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Is that 8 simultaneous input or 8 independent input ?
What is not satisfactory for you ?
Statistics: Posted by grego mondo — 07 Jun 2026, 14:01
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I'm working on a project that involves 8 audio inputs and 8 audio outputs, and I'd like to implement surround panning functionality similar to what the built-in modules SURR PAN SIMPLE, SURR PAN TRAJECTORY, and SMOOTH SURROUND TO PANNER offer.
I tried to replicate these features by copying and adapting the existing devices to work with an 8-input / 8-output surround setup, but the results were not satisfactory.
Could anyone give me some guidance or ideas on how to properly implement this kind of project in Usine? Any tips on routing, patching strategies, or custom module configurations would be greatly appreciated.
Thanks in advance!
Statistics: Posted by NikosT — 07 Jun 2026, 12:43
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J'ai ecrasé Usine pour le réinstaller et ça ne change rien, la case Video active est dejà cochée et ça n,e change rien en la desactivant.+ recativant
ça ne marche ni sur ma version ni sur une version gratuite sur un autre ordinateur.
Auriez vous des idées ?
Merci
Statistics: Posted by gwennaelle — 29 May 2026, 15:35
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